Game Review: Sleaford Mods' Jason Williamson Takes On Role in Critical Look at 90s Rave Culture
Produced by Portishead co-founder Geoff Barrow, this sharp-edged if slight first film turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single key story turn, but it results in a hilariously staged rampage on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film releases in British and Irish theaters from 17 November.
